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HomeDanceDance Performances to Shut Out the Summer time—Our 5 High Picks

Dance Performances to Shut Out the Summer time—Our 5 High Picks

Bustling festivals, contemporary premieres, surprising team-ups—the dance scene is just burning brighter as we enter the ultimate weeks of summer time. Listed here are our prime picks for August.

Reclaiming East-Meets-West

Shadows and sunlight filter into a studio where dancers in dark clothes and white sneakers work with prop swords. Nearest the camera, a woman with a long ponytail thrusts her blade forward as she lunges, free hand raised overhead, gaze intent past where the sword points.
Lai Yi Ohlsen, Pareena Lim and Benjamin Akio Kimitch in rehearsal. Photograph by Chris Cameron for MANCC, courtesy The Shed.

NEW YORK CITY  Offered as a part of The Shed’s Open Name commissioning program, Benjamin Akio Kimitch’s Tiger Palms reimagines dance’s East-meets-West stereotypes because the choreographer revisits his formative coaching in non-Western dance and shut connection to Peking opera. Aug. 4–6. —Courtney Escoyne

A Smorgasbord in Scotland

Five dancers dressed in blue pose before a white background. One is on his knees, gaze turned down, while behind him another smiles exaggeratedly wide, staring off into the distance. A dancer in a wheelchair gestures as though she is supporting something unseen overhead, while another just behind her raises a circle overhead.
Farah Saleh’s A Wee Journey. Photograph by Mihaela Bodlovic, courtesy EIF.

EDINBURGH  Scotland’s capital is positively bursting on the seams because the Edinburgh Worldwide Pageant descends. Among the many highlights for dance aficionados: Scottish Ballet premieres a brand new tackle Coppélia by Jess and Morgs (Jessica Wright and Morgann Runacre-Temple), utilizing the basic to ask questions on synthetic intelligence and whether or not actual life can compete with know-how; Alan Cumming stars as Scotland’s nationwide bard Robert Burns within the Steven Hoggett–choreographed dance-theater car Burn; and several other works have interaction with themes of migration, amongst them Akram Khan’s Jungle E book reimagined, Farah Saleh’s A Wee Journey and Akeim Toussaint Buck’s Home windows of Displacement. Aug. 5–28. —CE

Requiems and Reunions

A cluster of dancers support or imitate a dancer nearer the front, who seems in danger of fainting backward and hitting the ground if not for the other bodies holding them up. Their back leg hovers just off the floor, toes stretched but bent at the knee. The impression is one of exhaustion, but also support.
A.I.M by Kyle Abraham in Requiem: Fireplace within the Air of the Earth. Photograph by Peter Hönnemann, courtesy Michelle Tabnick PR.

NEW YORK CITY  Lincoln Heart’s Summer time for the Metropolis involves a detailed this month with a variety of occasions, together with three powerhouse dance applications. Reunions, curated by Kyle Abraham, options the work of A.I.M alums Rena Butler, Kayla Farrish, Vinson Fraley, Nicole Mannarino, Chalvar Monteiro, Jie-Hung Connie Shiau and Maleek Washington, Aug. 6–7. Present A.I.M members take the stage with the New York premiere of Abraham’s Requiem: Fireplace within the Air of the Earth, which explores reincarnation and Black Futurism to a reimagining of Mozart’s Requiem in D minor by digital dance music artist Jlin, Aug. 11–13. And the BAAND Collectively Dance Pageant, Aug. 9–13, is again after final summer time’s standard preliminary outing, with Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York Metropolis Ballet and Dance Theatre of Harlem sharing an outside stage and a brand new fee for dancers from all 5 corporations by Annabelle Lopez Ochoa. —CE

Doherty and Dread

A face of a young woman is in clear focus in a line of other faces. Everyone stares forward, toward the right frame of the image. All wear identical, utilitarian, navy blue jumpsuits. The lighting has a blue tinge. The space seems dense.
Rehearsal for Oona Doherty’s Navy Blue. Photograph by Ghislain Mirat, courtesy Doherty.

HAMBURG  Oona Doherty’s critically acclaimed works, characterised by their gritty realism and visceral motion languages, have explored themes starting from working-class masculinity to the influence of faith on her native Belfast. Nonetheless, as she describes her newest, Navy Blue, as “a rebirth” and “a questioning of what to do subsequent,” it appears the choreographer could also be getting ready to take a brand new path. That includes 12 dancers and a soundtrack created with British DJ and producer Jamie xx, Navy Blue guarantees to create an unsettling sense of dread whereas contemplating the place we’ve been, the place we’re going and the way we are able to attempt for societal change. The evening-length work premieres at Hamburg’s Kampnagel pageant on Aug. 10 earlier than touring Europe. —Emily Might

Beneath an Open Sky

On a pier with sparkling blue water behind it, Genevieve Penn Nabity balances in a six-o'clock penché en pointe. Her blonde hair is loose to her shoulders. Her long peach skirt flutters around her calves.
Nationwide Ballet of Canada’s Genevieve Penn Nabity. Photograph by Karolina Kuras, courtesy NBoC.

TORONTO  Nationwide Ballet of Canada kicks off its season early with out of doors performances on the Harbourfront Centre. For Sharing the Stage, the corporate is joined by the soulful Holla Jazz, feminist dance theater troupe Rock Backside Motion, kathak-trained artist Tanveer Alam and Indigenous dancer-choreographer Samantha Sutherland. NBoC’s contributions to the blended rep will embody choreography by creative director emerita Karen Kain, Wayne McGregor and Christopher Wheeldon. Aug. 16–20. —CE



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