On this explicit night time, David’s gathered former BFF Sophie, his present girlfriend Emma (Chase Sui Wonders), and all their previous buddies from college, together with Alice (Rachel Sennott) and Jordan (Myha’la Herrold), to attend out a hurricane that’s alleged to hit their city any minute. Alice has additionally introduced her a lot older boyfriend Greg (43-year-old Lee Tempo). Don’t fear, it’s not severe, neither is a lot else alleged to be on an evening that’s meant for excesses of alcohol, medicine, and dangerous selections. The worst selection, nevertheless, seems to be agreeing to play “Our bodies Our bodies Our bodies,” a celebration recreation the place one pal pulls a card that claims they’re secretly a killer. All of the others should sniff them out by accusations.
It’s a recreation designed to dredge up previous drama from long-term relationships and encourage a mob mentality whereby factions of buddies gang up on the weakest prey. It’s apparently a favourite of Sophie’s previous crowd. But this proves to be the primary time they play the sport, and an precise useless physique exhibits up on the ground…
Our bodies Our bodies Our bodies marks Reijn’s first image as a movie director, however the Dutch expertise has spent years within the theater, together with when she labored extensively with iconoclast stage director Ivo van Hove. That experience exhibits through the filmmaker’s acute concentrate on her main women’ performances and the messy, faintly sympathetic psychologies that mark these recreation items as human, at the same time as they’re mercilessly deconstructed and destroyed.
The movie is, once more, from Baklalova’s point-of-view, who is simple for audiences to establish with since she’ll spend a lot of the primary act as we do—struggling to parse out the previous wounds and passive aggressive grievances effervescent beneath the floor. Bee is courting Sophie now, however the micro-aggressions of Jordan towards this interloper affirm who used so far Soph; in the meantime David is courting (however actually continuously negging) Emma; but his jealousy of Greg, who’s a graying hippie vibing with wild little one Alice, suggests one other backstory we by no means actually discover.
It’s a sordid, useless scene the place all of the characters have memorized the syllabi from their liberal arts educations, though not essentially the contents. Nonetheless, they’re not fairly a set of caricatures. Even Bee stays aloof as our eyes and ears, drawing suspicion on each herself and her selection in companions since Sophie’s obvious flakiness (she’s ghosted everybody in the home for months after which confirmed up for this social gathering unannounced) raises its personal purple flags.
The entire very recreation forged inhabits these characters with a winking authenticity that’s simply tangible and charismatic sufficient to not write any of them off as clichés… or as suspects. Shiva Child’s Sennott steals scenes as essentially the most vivacious and flighty of the group, however is it a put-on? And Herrold’s aggressive stance actually raises eyebrows for any Poirots within the viewers. It’s all a meticulously laid setup that retains you guessing and second-guessing the homicidal tendencies of those neon-lit revelers till the glow sticks exit.